The Reva and David Logan Center for the Arts is a living building. On any given day, the halls are full of every permutation of artistic practice—a double bass preparing for a concert on the Lower Level; community members flocking through the doors for a panel in the Performance Hall; a jazz concert in Café Logan; student circus performers perfecting acrobatics in Performance Lab 701; an open mic in the Performance Penthouse; countless classes and meetings and practices and rehearsals happening on all levels, in all spaces.
Read MoreLearn more about Court Theatre’s production of The Gospel at Colonus, its next installment in the Oedipus Trilogy, opening May 2023.
Read MoreJess Hutchinson, Editorial Content Manager for the Logan Center and UChicago Arts, sat down virtually with Princess Mhoon, Director of the Chicago Black Dance Legacy Project, who divides her time between Chicago and Washington D.C., for a conversation about her history, perspective, and why the CBDLP is a vital force in Chicago’s contemporary artistic landscape.
Read MoreWhat makes Candyman one of the greats of the genre has as much to do with the stories surrounding the films as with the psychological terror and blood-and-guts within them…As you settle in this Halloween weekend to marathon your favorite horror films, put Candyman (both of them) on the list, and read our short list of facts and production stories that we find interesting or illuminating. We hope your thrills and chills are enhanced a little by this information.
Read MoreAportal in the Regenstein Library. A rabbit hole to a mysterious alternate universe. Messages from the beyond—and the 1980s. This might seem like an alternate plot of Back to the Future, but you won’t find Marty McFly combing the library stacks. All of these elements were part of ECHO, the newest game launched by the University of Chicago’s Fourcast Lab.
Read MoreThis past Spring, when COVID-19 radically shifted the way we move—and yes, dance—through the world, TAPS Lecturer Julia Rhoads was not about to sit still. Through a collaboration with her own dance company, Lucky Plush Productions, and UChicago's Dance Program in TAPS, Virtual Dance Lab was born. During the initial onset of the crisis, Virtual Dance Lab brought free or low cost dance and movement workshops not just to the UChicago students in the TAPS Dance Program, but to the staff, faculty, and greater community, all of whom were adjusting to a life moved abruptly indoors.
Read MoreFor Court Theatre executive director Angel Ysaguirre, the magic of the stage exists in the actors’ ability to connect with the audience—to see their smiles and their tears, and to hear their laughter, gasps and applause.
Read MoreIn 2015 actor Katlyn Carlson, AB’05, got an email from her agent about an audition for a new musical. The message described high school queen bee Chloe Valentine as “self-absorbed, crass, sexy, manipulative, and hilarious in her disregard for others.” Carlson’s reaction? “Sign me up.”
She didn’t know she was embarking on a project that would make her (as best she knows) the first person from her hometown of Eureka, Missouri, to perform on Broadway.
Read MoreFeatured in the Gray Center’s online conceptual art exhibition, Another Idea, Chelsea A. Flowers’ work offers avenues for dialogue about race, abuse, power, and identity. With a practice encompassing installation, video, and participatory performance, Flowers presents a karaoke video and hosts a trivia night via Zoom as part of Another Idea, using comedy and gameplay to mediate empathy, cultural understanding, and critical conversations about race.
Read MoreInteractive media has proven itself to be one of the most powerful forces in today’s world. A group of artists, designers, and technicians at the University of Chicago is pushing the boundaries of how this new media can be used to build community and shape our interactions.
Read MoreFrom soaring orchestra compositions to intimate home movie livestreams, University of Chicago scholars and artists are already exploring the arts in new ways and connecting to the public at a time when many are feeling increasingly isolated.
Read MoreStudents move plays produced in 24 hours to radio format for the quarter
Read MoreIn early March, Hubbard Street Pro (HS Pro) collaborated with the Logan Center to present moving installations a stairway and a corridor, a site-specific performance that stretched from the ninth floor to the courtyard.
Read MoreIf you need more proof of the vast diversity of artistic interests at UChicago, look no further. In addition to singing, dancing, and visual arts, students take physical performance to the next level in the Le Vorris and Vox Circus.
Read MoreWhen the house doors opened for Oedipus Rex, the first installment in Court Theatre’s Oedipus Trilogy, the stage immediately drew attention.
Read MoreVarying in intensity and commitment, Registered Student Organizations (RSOs) provide opportunities for students to pursue a dream, let out their creativity, build job skills,or just have fun.
Read MoreUChicago Classics Professor Sarah Nooter explores questions of agency, truth, and fate in Sophocles’ Oedipus Rex.
Read MoreLike many of his novels, Saul Bellow’s The Adventures of Augie March plays out across Chicago. Read about five significant city locations for both Bellow and March, and plan your own literary pilgrimage.
Read MoreAlumni stages second annual festival that centers trans and non-binary theater artists.
Read MoreThroughout the run of the exhibition at the Logan Center Gallery, “Builders” activated the show every Thursday through a hybrid of personal testimony and fiction.
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