Gabrielle Randle-Bent didn’t start off as a theater kid. The Texas native took AP science classes and grew up playing volleyball and basketball. But bad asthma kept her off the court and brought her to the stage.
Read MoreLearn more about Court Theatre’s production of The Gospel at Colonus, its next installment in the Oedipus Trilogy, opening May 2023.
Read MoreDuring an Oct. 12 conversation with WBEZ’s Sasha-Ann Simons at UChicago’s Logan Center for the Arts, Ewing emphasized that learning about an important historical event for the first time isn’t a cause for shame. “It is a moment to ask yourself: ‘Who is invested in your not knowing? What systems are perpetuated by your not knowing?’”
Read MoreFor Court Theatre executive director Angel Ysaguirre, the magic of the stage exists in the actors’ ability to connect with the audience—to see their smiles and their tears, and to hear their laughter, gasps and applause.
Read MoreIn 2015 actor Katlyn Carlson, AB’05, got an email from her agent about an audition for a new musical. The message described high school queen bee Chloe Valentine as “self-absorbed, crass, sexy, manipulative, and hilarious in her disregard for others.” Carlson’s reaction? “Sign me up.”
She didn’t know she was embarking on a project that would make her (as best she knows) the first person from her hometown of Eureka, Missouri, to perform on Broadway.
Read MoreMarissa Fenley is a PhD candidate in English and TAPS (Theater and Performance Studies), as well as an ASCI Graduate Fellow. Lee Jasperse, a PhD candidate in English Language and Literature, as well as ASCI’s Graduate Management Fellow, interviewed Marissa on what puppets teach us about intimacy, how play and silliness enter into her scholarly process, and how a lifelong engagement with puppets inspired her dissertation project.
Read MoreStudents move plays produced in 24 hours to radio format for the quarter
Read MoreThe Guggenheim Fellowship recognizes those with significant prior accomplishment and exceptional potential. We reached out to Professor Patrick Jagoda, an awardee in the arts field, to hear more about his work and plans for the Fellowship.
Read MoreWe sat down with Ron O.J. Parson and Aaron Mays to hear more about the Spotlight Reading Series at Court Theatre, a citywide program that connects the Court’s theatrical resources with community partners to present classic plays by writers of color.
Read MoreIf you need more proof of the vast diversity of artistic interests at UChicago, look no further. In addition to singing, dancing, and visual arts, students take physical performance to the next level in the Le Vorris and Vox Circus.
Read MoreWhen the house doors opened for Oedipus Rex, the first installment in Court Theatre’s Oedipus Trilogy, the stage immediately drew attention.
Read MoreVarying in intensity and commitment, Registered Student Organizations (RSOs) provide opportunities for students to pursue a dream, let out their creativity, build job skills,or just have fun.
Read MoreUChicago Classics Professor Sarah Nooter explores questions of agency, truth, and fate in Sophocles’ Oedipus Rex.
Read MoreLast month, as part of a new partnership between Court Theatre and the Office of Civic Engagement (OCE), 22 of Chicago’s established and emerging civic actors explored what it was like to become literal actors.
Read MoreLike many of his novels, Saul Bellow’s The Adventures of Augie March plays out across Chicago. Read about five significant city locations for both Bellow and March, and plan your own literary pilgrimage.
Read MoreAlumni stages second annual festival that centers trans and non-binary theater artists.
Read MoreWatch faculty and staff discuss how the idea of experiment influences their work and research.
Read MoreAbout the inspiration behind Reyes’s puppet production Manufacturing Mischief, performed at the Logan Center January 2019.
Read MoreAn introduction to Oscar Brown, Jr. and the archive established by two of his daughters at the Logan Center.
Read MoreBehind-the-scenes with Manual Cinema’s Mary Shelley’s Frankenstein.
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